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Imaginary Portraits summary

Source for picture A wrap-up post on Walter Pater’s Imaginary Portraits and a couple of “portrait”-like short stories. A few Online resources for Walter Pater Project Gutenberg’s link for Imaginary Portraits All Walter Pater’s works at Project Gutenberg Imaginary Portraits discussion: Chapters 1 – 2 Imaginary Portraits discussion: Chapter 3 Imaginary Portraits discussion: Chapter 4 […]

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Non-“Portrait” portraits

I enjoyed the four stories that made up Imaginary Portraits so I decided to read a couple of additional “portraits”. “The Child in the House” was published in Macmillan’s Magazine in August 1878. The somewhat autobiographical piece is a look at Florian Deleal’s childhood and what Pater called “the process of our brain-building.” This was […]

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Walter Pater: Online resources

Picture source While there are some online resources for Walter Pater, the number doesn’t seem in proportion to the influence he had on other writers. Here are a few links: Pater’s entries at Wikipedia Works available on Project Gutenberg or at manybooks.net Pater’s entry in The Victorian Web Subir Grewal has a nice page on […]

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To the Lighthouse summary

Many posts related to Woolf and To the Lighthouse, so here goes… Virginia Woolf online resources Woolf’s “Modern Fiction” and How Should One Read a Book?” essays Audio recommendation To the Lighthouse: The Window, Chapter 1 To the Lighthouse: The Window, Chapters 2 – 9 To the Lighthouse: The Window, Chapters 10 – 16 To […]

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To the lighthouse discussion: The Lighthouse

Godrevy Island lighthouse (Source)“The great revelation had never come. The great revelation perhaps never did come. Instead there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one. This, that, and the other; herself and Charles Tansley and the breaking wave; Mrs Ramsay bringing them together; Mrs Ramsay saying, “Life stand […]

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To the Lighthouse discussion: Time Passes

The first chapter of “Time Passes” highlights the difference in narrative style for this section. Events after the dinner are conveyed through a third-person approach rather than the stream-of-consciousness in the “The Window.” This change in technique mirrors the shift in focus regarding the impact of time. The first section, which viewed the world through […]