There’s a footnote on page 95 of Angel Guerra (Pérez, Galdós Benito. A Translation of “Angel Guerra” by Benito Pérez Galdós. Lewiston (N.Y.: E. Mellen Press, 1990.), translated by Karen O. Austin, where Angel signals he is supporting his seven-year-old daughter’s anarchy instead of imposing order, as the governess has requested. Angel’s phrase, translated, is Let […]
Tag: Fortunata and Jacinta
One of the many remarkable qualities of Galdós is his use of characters across many of his novels. I’ve mentioned one of these repeating characters before, the Madrid doctor Alejandro Miquis. I’m reading Angel Guerra (Pérez, Galdós Benito. A Translation of “Angel Guerra” by Benito Pérez Galdós. Lewiston [N.Y.: E. Mellen Press, 1990.), translated by […]
Tristana: Buñuel’s Film and Galdós’ Novel: A Case Study in the Relation Between Literature and Film by Colin Partridge (New York: The Edwin Mellen Press, 1995) In reading though Colin Partridge’s essay on the novel Tristana I found a quote from Fortunata and Jacinta that I had marked as important when I read it but […]
I’m glad to see other bloggers are reading/have read Fortunata and Jacinta and that others have expressed interest in tackling the book. I wanted to include a list of additional posts on the novel tied (however loosely) to the read-along. Scott G. F. Bailey’s old blog and Amateur Reader’s Wuthering Expectations had many posts on the […]
What a long strange year in reading it has been. I hadn’t planned on reading Fortunata and Jacinta again or delving into more Galdós but I’m glad I did. I plan on reading a few more of his books that have been translated into English over the next few months, so you will be hearing […]
I found several (what I call) unasked questions in the novel but I believe there was one that Galdós wanted the reader to consider—what is in store for little Juan (Juan Evaristo Segismundo)? The novel ends on a melancholy buoyant note, which is the best Galdós could do given the body count and other damage […]
I mentioned some strong women in the novel in an earlier post and I want to ramble about a similar topic here. In Volume Four we meet Aurora, another clever and apparently strong woman character (I mention in this post how Galdós initially introduces her via a portrait in Doña Lupe’s parlor). Aurora pretends to […]
In a novel layered in meaning the character Segismundo Ballester helps tie together many of the themes. As the pharmacist that employs Maxi, he embodies a balance in life lacking in most other characters. His profession represents this mixture as he regularly talks about the blending of medicinal compounds. At the end of the novel […]
The previous post looked at Feijóo’s practical philosophy he tried to impart to Fortunata to survive her “restoration” into the Rubín family. Feijóo’s outlook is one of practicality—setting an ideal goal but planning for contingencies. Feijóo continues in the line of people attempting to reform Fortunata. Where the Rubín family tried to confine Fortunata in […]
After Juan dumps Fortunata again, she is protected by the retired military man Evaristo Feijóo. He sets her up in her own place and proposes an arrangement for her to be his lover. She accepts but, as his health declines, the dynamic changes mostly to a father-daughter relationship. (This isn’t the only relationship in the […]