I continue with my erratic foreign movie posts for this year as well as posting on movies adapted from books. For more foreign movies, check out Caroline’s World Cinema Series 2012 and Richard’s monthly Foreign Film Festival round-up (first half of year and second half). Aitana Sánchez-Gijón as Ana Ozores Picture source I’m always happy […]
Tag: Leopoldo Alas
The progressives would present objections, upholding the solidarity of the dogma and the priest, and then Don Pompeyo would have to take sides with the reactionaries, up to a certain point, and say, ‘Let us not confuse one thing with another, gentlemen, the very roots are diseased. The clergy is neither good nor evil, it […]
A post for some extended quotes from La Regenta. The first excerpt looks at Ana’s situation (note the passage is in quotes—see my introduction for Alas’ use of a character’s voice). While preparing for general confession, Ana Ozores reflects on her life. In a novel full of frustration, Alas creates remarkable inner worlds. Ana is […]
The Madonna of the Chair by Raphael Ana’s resemblance to this depiction of Mary is noted several times Picture source Befitting the work of a literary critic, La Regenta contains many references and allusions to artistic works, quotes, and characters. In the dissertation I’ve mentioned in previous posts, Albert Brent adds an appendix listing each […]
Leopoldo Alas’ Wikipedia entry In addition to La Regenta Leopoldo Alas only finished one other novel (His Only Son, which I plan to read soon) but wrote more than 80 short stories. I hope the short stories are some of the untranslated works Margaret Jull Costa will be working on in the near future. Alas’ […]
Statue of Ana Ozores, (La Regenta) Located in the plaza of the Cathedral of San Salvador, Oviedo, Spain Picture source This post will be a scattershot introduction to La Regenta, one of the best 19th-century novels I’ve read. Since its release, La Regenta has had its share of misrepresentation. Alas was initially accused of plagiarizing […]