The text for The Good Soldier can be found at Project Gutenberg. I have rounded up a few online resources on Ford Madox Ford. Since The Good Soldier doesn’t really lend itself to posts on the sections as you read through them, I approached writing about the book with the following topics: The Good Soldier: […]
Tag: The Good Soldier
The credits for The Good Soldier, produced by Granada Television, can be found at IMDB. I remember seeing this when it originally aired on Masterpiece Theatre and enjoying it immensely. I didn’t realize it would be 25 years later before I read the book. The movie runs very true to the book despite the difficult […]
One theme in Ford’s book is the inadequacy or irrelevance of social and religious institutions in the modern (at that time) world. That there is a moral and social shortfall is hammered home by his use of August 4th (the day Britain declared war on Germany in World War I) for all important dates in […]
I covered quite a bit on Dowell’s self-deception and moral blindness. The inability to face the truth or make any sense of events is his personal failing. That Dowell elevates his personal failures to not being able to understand the world or judge another’s character does not mean Ford agrees with him. I think Ford […]
“I have, I am aware, told this story in a very rambling way so that it may be difficult for anyone to find their path through what may be a sort of maze. I cannot help it.” This quote, from the start of Part IV, sums up the method quite well. John Dowell has undertaken […]
John DowellA Quaker from Philadelphia, John Dowell is the direct narrator of the story. His family came from England with William Penn, settling in Pennsylvania. He controls property in Philadelphia and is able to maintain a wealthy lifestyle. John prides himself on being attentive and nursing. Florence (Hurlbird) DowellFlorence is a Protestant who lives with […]
The Good Soldier does not lend itself very well to discussion by chapters or parts, I’ll approach it in a different manner. I will start with a chronology, discuss the main characters, cover themes and motifs, review the 1981 TV movie version, and throw in anything else that makes sense in covering this challenging book. […]